EPKElectronic Press Kit
My Dear Watson
My Dear Watson is an original musical with books, lyrics, and music by Orlando area composer Jami-Leigh Bartschi. It is based on the Sherlock Holmes stories, and it specifically centers around the friendship between Sherlock Holmes and Dr. John Watson. My Dear Watson premiered at the Annie Russell Theater in Winter Park, Florida on May 16, 2014. Its first professional run was produced by the Empty Spaces Theatre Co(llaboration) and played at the Lowndes Shakespeare Center from March 3-7, 2016. It made its New York debut in July 2017 as part of the New York Musical Festival, and the show was the finale of the 2017-2018 theatre season of Valencia State College. This year, the show had a successful run at the 2019 Chicago Musical Theatre Festival, and it was performed with its full live orchestration for the first time at a concert reading at Bay Street Players in Eustis, FL.
News
We are thrilled to share that My Dear Watson has been scheduled for a special limited engagement in partnership with Bay Street Players in Eustis, Florida. For the first time ever, the show will be performed live with its full orchestration! This will be a concert version of the show (meaning it will be a staged reading without elaborate sets, props, or blocking). For more details, including the cast, crew, and musician lists, or to buy tickets, head over to the 2019 BSP production tab.
Congratulations to our own Michelle McKenzie-Voigt on winning Best Supporting Performer at the 2019 Chicago Musical Theatre Festival for her portrayal of Mrs. Hudson! We are deeply indebted to her and to the entire cast and crew of our Chicago run for once again breathing life into our show as only such a talented group of artists can do. My Dear Watson also earned a number of other nominations among a field of outstanding shows with whom we were honored to share the festival:
- Most Promising Musical
- Best Book - Jami-Leigh Bartschi
- Best Lead Performer - Travis Shanahan
- Best Lead Performer - Alex Iacobucci
- Best Costume Design - Hannah Haverkamp
- Best Set Design - Skylar Grieco and Cal Walker
We are now down to just one remaining show with tickets left, and that's Wednesday, February 20 at 8:00 pm. This is your last chance to catch this run of My Dear Watson in Chicago! Also, if you have purchased or still plan to purchase a Festival Pass, please make sure you complete the additional step of choosing our performance and adding your name to the guest list. Having a pass does not guarantee admission if you don't use it to reserve a specific show ahead of time!
We've officially sold out two of our six shows, but we still have some opportunities for you to get tickets, including our bonus show on 2/11! Get them before they're gone!
Tickets are going fast as we approach opening night of the 2019 Chicago Musical Theatre Festival! Our Friday 2/15 performance is now officially sold out, but fear not - thanks to our sales performance so far, CMTF has given us an extra performance date: Monday, Feburary 11 at 8:00 pm. Get your tickets now before they're all gone!
Also, please note that if you already have tickets for Friday 2/15, the showtime was moved earlier from 7:30 pm to 7:00 pm. This is to make sure there's adequate time to load out and load in the 10:00 pm performance of Moonshiner.
We are thrilled to announce the latest group of fabulously talented actors who will be breathing life into My Dear Watson at the Chicago Musical Theatre Festival in February! Head over to the CMTF production page to learn more, and please contribute to help support their involvement in the show!
Musical festivals are a wonderful opportunity to share our show with a new market, raise its profile, earn reviews, and perhaps even attract the attention of publishers. But they are not money-making endeavors. If we sell out every show, we'll barely cover the cost of registering for the festival, renting the rehearsal space, and printing scripts. We owe it to the fantastic artists who breathe life into this show to support their livelihood as well, and for this reason we humbly ask for your support. Any amount is helpful—for $50 and up, we're happy to offer a poster signed by the cast and crew, and for $100+ we'll offer a donor-exclusive DVD of the performance! Thank you in advance for your generous support of our art.
We are pleased to share our production team for the Chicago Musical Theatre Festival with you! Please head over to the 2019 CMTF tab to learn more about our amazing team. They are already hard at work selecting the cast and getting ready for rehearsals, and we hope to share some cast announcements with you very soon.
We are pleased to announce that advance purchase tickets are now available for the Chicago Musical Theatre Festival run of My Dear Watson. Our performance space has limited seating, so we strongly recommend purchasing tickets as far in advance as possible. In addition, by purchasing tickets now, you are also casting your vote for our show to be awarded one of four additional performance opportunities!
Individual show tickets are $25, or purchase a festival pass and see all nine shows (or bring eight friends with you to My Dear Watson) for $190!
Performance Schedule
- Tuesday, February 5 at 8:00 pm
- Sunday, February 10 at 6:00 pm - SOLD OUT
- Monday, February 11 at 8:00 pm - Extra Show
- Friday, February 15 at 7:00 pm - SOLD OUT
- Wednesday, February 20 at 8:00 pm
- Saturday, February 23 at 3:00 pm - SOLD OUT
We are thrilled to announce that My Dear Watson has been named an official selection of the 2019 Chicago Musical Theatre Festival! This will be the show's second major market festival for new musicals. We are particularly excited that this festival focuses on getting shows in front of publishing and licensing houses, which is essential to the long-term success of the show.
If you're a Chicago area actor interested in auditioning for My Dear Watson or one of the eight other shows selected for this year's festival, we encourage you to join us at The Edge Theatre for an open casting call on Sunday, September 14, from 12:00 noon to 6:00 pm!
This will, of course, represent another serious field trip with serious expenses, so we will once again be looking to raise funds to support our journey. We look forward to sharing specific support levels and incentives over the coming months, but if you're ready to get behind us now, please use the button below! All donations from this point forward will be applied toward any 2019 incentives once they are announced.
Performance Schedule
- Tuesday, February 5 at 8:00 pm
- Sunday, February 10 at 6:00 pm
- Friday, February 15 at 7:00 pm
- Wednesday, February 20 at 8:00 pm
- Saturday, February 23 at 3:00 pm
While it's no substitute for seeing the production in person, we recognize that some friends of the show and programs considering their own production may want to revisit our 2018 Valencia run. To that end, we're pleased to offer some clips of the songs (and, yes, the infamous Watch Monologue) online!
We are thrilled by the incredible response to the Valencia performances of My Dear Watson, but due to the intimate nature of the black box theatre, that means that we have now sold out every show! For those of you who have purchased tickets, we look forward to seeing you this weekend, and we hope to have more opportunities to bring My Dear Watson to audiences near and far in the future!
Each production of My Dear Watson gives us a valuable opportunity to get feedback as the show continues to grow and evolve. We are honored and grateful to share with you Matt Palm's perspective on the show. You can read the full review at the link below, and we've included some of our favorite comments here:
It was shrewd of Bartschi to focus on the unconventional friendship of Holmes and Watson as the emotional centerpiece of her musical: How to love a difficult person is a fascinating question....the music, lyrics and storyline [are] filled with pleasing twists and turns. An Act One murder mystery lets the audience sees violin-loving Holmes strut his stuff and is solved with his usual, nearly omniscient flair.... Bartschi’s music delightfully hints at a bygone era and is full of motion, like the whirring of focused brain waves. She has composed it in such a way that the very notes sound intelligent.... A three-piece musical ensemble adds greatly to the show’s atmosphere. The orchestration allows each to shine: piano, cello and, of course violin — just how Holmes would want it.
Please note the following information regarding specific performances at Valencia as of 6/8/2018. Valencia's black box theater is an intimate space, and shows are likely to have no walk-up tickets available. Therefore, we strongly advise securing tickets in advance either by using the link below or by calling the box office at 407-582-2900.
- Friday, June 8 at 7:30 pm
- Saturday, June 9 at 7:30 pm
- Sunday, June 10 at 2:00 pm
- Monday, June 11 at 7:30 pm - Special Industry Night Price of $10 (no other discounts)
- Friday, June 15 at 7:30 pm - A brief talk back session will follow this performance
- Saturday, June 16 at 7:30 pm - ASL Interpreted
- Sunday, June 17 at 2:30 pm
2018 Production Details Showtimes & Tickets Shop Merchandise
Tickets are now available for Valencia State College's production of My Dear Watson! Below are the specific showtimes:
- June 8, 9, 11, 15, and 16, 2018 at 7:30 pm
- Matinees: June 10 and 17, 2018 at 2:00 pm
2018 Production Details Showtimes & Tickets Shop Merchandise
We are thrilled to announce the latest planned production of My Dear Watson, which will be staged at Valencia State College's East Campus in the Black Box Theater from June 8-17, 2018. John DiDonna returns to direct the show for the third time.
We look forward to sharing more information about this latest opportunity soon!
What a wild ride! Our Florida-based cast and crew all made it back safely—some were able to get in some R&R while others were immediately onto other projects. Regardless, this is just the beginning for My Dear Watson, and we look forward to sharing more news with you soon about what's next for the show.
One of the best opportunities of the festival was to get feedback from audiences and critics about what is resonating well and what could be tweaked to make the show better. Here are a few of our favorite reviews:
The bromance is real.… The musical never shines more brightly than in those moments when Watson ponders his strange friend and their strange, but endearing, relationship. Fittingly, the back and forth between Holmes and Watson is clever and delightful (the audience I saw the show with absolutely loved it); and these moments also rank among the show's best. In fact, Bartschi's script very successfully elucidates the relationship between the two characters, digging into the heart of the friendship by revealing both characters' true feelings - beneath their teasing banter and Holmes's aloof facade.
The melodic score, orchestrated with a piano and violin, gracefully moves up and down the scale. The bowler hat, the pipe, and the teapot all bring us into the world of London, where grisly murder makes headlines. The creative team has done a lot right to establish the world of the play. With NYMF so quick and “on the fly,” the antique tables and chairs easily blend to the backdrop, complete with a projections by Dana Mott. Pocket watches fly though. It’s magical and moving in the way that musical theater should be.
With some revision, My Dear Watson has good potential to go to another stage after this Festival and do a more extended run. It has some good music, including songs that tell a story. Several of the songs are lovely ballads. The music covers an aspect of the Sherlock Holmes stories not usually seen.… [Bartschi's] devotion to the famous fictitious detective shines through in this musical.… I developed an interest in learning and seeing more of [Sherlock Holmes stories] from going to this show. When a musical does that for a viewer, it tells you that the show should continue on!
Be sure to follow My Dear Watson on Facebook and Twitter from now through Tuesday for exclusive content from the cast and crew as we make our final preparations for our New York debut! As the Florida-based and NYC-based cast have an opportunity to work together for the first time, we'll be spontaneously posting photos and live video to give you a behind-the-scenes look at the show coming together. We open Tuesday night at 9:00 at the Peter Jay Sharp theater on 42nd St. with additional shows Thursday through Sunday.
Did you know that it costs over $20,000 to produce a weeklong show in New York, and that revenue from ticket sales will cover less than half of that? Building on the success of our initial Indiegogo campaign, we are now launching our last major online fundraising initiative prior to heading to the Big Apple: our Online Silent Auction. Thanks to many generous donations from our show's extended family of fans, we are able to offer some unique items for bidding including theme park and show tickets, custom parties, acting and voice lessons, professional training, and much more! Hurry, though: the auction ends Wednesday, June 28, at 9:00 pm.
We are excited to share coverage of My Dear Watson by BroadwayWorld.com, the #1 website for Broadway, theatre, and live entertainment around the world! In addition, legendary gossip columnist Liz Smith covered the show in her latest entry for the New York Social Diary.
Playwright Jami-Leigh Bartschi was interviewed last week on the Smith & Riley podcast, covering fine arts in Central Florida.
We are pleased to share studio-quality sountrack samples from three of My Dear Watson's musical selections. For Holmes Donors ($100+), we'll be providing full-length tracks of these three selections plus two more that are not publicly available. (It's not too late to become a Holmes Donor! Use the button below.) Special thanks to Leslie and Evan Jones for recording and mixing these tracks.
Individual ticket sales have officially launched for all New York Musical Festival shows! You can now purchase tickets to any of our performances on 42nd street from July 11 to 16. Single tickets are $27.50 each, or you can save up to 35% with a NYMF pass!
We are pleased to announce our cast, crew, and musicians for the upcoming production at the New York Musical Festival running from July 11 to 16! Central Florida theater veteran and Brooklyn native John DiDonna returns to direct this run. Several familiar faces will reprise their roles from the 2016 production at the Lowndes Shakespeare Center, and we are excited to welcome some new members to the team as well. Take a look at our complete program on the 2017 Prouction page!
Today, we were pleased to launch our Teespring storefront featuring T-shirts, hoodies, mugs, and stickers, available in a variety of colors and styles! If you have a suggestion for a product, design, or style you'd like to see, please feel free to . Not only will you get some MDW-exclusive swag, you'll also be supporting our continued fundraising objectives for our New York trip! Every purchase generates revenue that will be used toward our production. A limited selection of merchandise will also be available at the Sharp Theater, but why wait and risk your favorite size/style not being available? Of course, our cast members and creator will be available for autographs whether you purchased it in advance or at the show!
On Thursday, May 11, My Dear Watson composer and lyricist Jami-Leigh Bartschi was interviewed by Debbie O'Brien on Your Hometown. In the dialogue, Jami and Debbie discuss the origin of the musical and the creative process as well as the daunting task of preparing for a New York production.
Special thanks to Seth Kubersky and the team at the Orlando Weekly for investing some time and copy space in My Dear Watson less than a week from the Orlando Fringe Festival. The article offers fantastic insight into the creative process behind the musical and tells the journey from its humble beginnings to its upcoming Off-Broadway debut!
We are pleased to be able to share with you the exact dates, times, and locations of My Dear Watson's performances at the 2017 New York Musical Festival!
- Tuesday, July 11, 2017 at 8:00 pm
- Thursday, July 13, 2017 at 9:00 pm
- Friday, July 14, 2017 at 1:00 pm
- Saturday, July 15, 2017 at 5:00 pm
- Sunday, July 16, 2017 at 1:00 pm
All performances will be held at:
Playwrights Horizons - Peter Jay Sharp Theater
416 W 42nd St, 4th Floor
New York, NY 10036
A sincere thank you to everyone who has contributed, helped us get the word out, or shared words of encouragement during our initial fundraising campaign. Our complete donor list has been posted on the 2017 NYMF Production tab. Thanks to your generosity, with all sources totalled, we raised $10,007 against our $10,000 goal! This will cover the show's registration as well as airfare and lodging for the participants, which is a significant burden relieved. There will, of course, be expenses associated with actually producing and marketing the show, and so the fundraising is certainly not over, but this is a very meaningful start. The incentives for contributing are still available, so even though our Indiegogo campaign has concluded, we'll be glad to accept your donation via PayPal with our sincere thanks for supporting our production!
We are excited and deeply grateful to announce that the NYMF production of My Dear Watson will be funded in part by a generous contribution from the The Conan Doyle Estate, the family estate of Sir Arthur Conan Doyle, who wrote the Sherlock Holmes stories from 1887 to 1927. Richard Doyle, director of The Conan Doyle Estate, says of the collaboration, “The Conan Doyle Estate's main aim is to have the voice of Sir Arthur Conan Doyle heard by modern audiences. I am sure my great uncle would have been delighted that his family, through the Conan Doyle Estate, is supporting My Dear Watson. His passion for innovation and the arts is beautifully represented by Jami-Leigh Bartschi.”
We are thrilled to announce that My Dear Watson has been selected to make its New York debut as an invited production at the New York Musical Festival this summer! More details, including specific dates, will be announced soon, but in the meantime, we need your help! As you might imagine, staging a successful production in New York City is an expensive undertaking, and so we've started an Indiegogo campaign to help offset the costs. We'd be very grateful for your support, and we'd be willing to hook you up with some MDW-exclusive swag!
About the Show
My Dear Watson was conceived by Jami-Leigh Bartschi while pursuing her Master's Degree in Liberal Studies at Rollins College, which required the development of a thesis project. Bartschi's idea was to create and develop a full-length musical production based on the Sherlock Holmes stories, which were among her favorite literary works of all time. Not just entertaining stories, the Holmes works by Sir Arthur Conan Doyle make for an intriguing study on character relationships in Victorian literature. The plot and character devices utilized by Conan Doyle were unprecedented for their time and have had a profound influence on every detective story written since. You can read Mrs. Bartschi's research paper here.
Frequently Asked Questions
What is the structure of the musical and how long is it?
My Dear Watson is a non-recitative book musical in two acts, with a total running time of approximately two hours including intermission.
Is this a re-telling of one of Conan Doyle's stories or something original?
A bit of both. My Dear Watson is set in the original period of the late nineteenth century. It combines quotes, characters, and plot elements of several original Conan Doyle stories, including A Study in Scarlet, The Valley of Fear, The Three Garridebs and The Final Problem, all tied together in an original way. This allows the audience to be taken all the way from Holmes and Watson's initial introduction to the showdown with Moriarty in only a couple of hours.
Is the musical appropriate for children and families?
While My Dear Watson was not written specifically for children, some parents may find it suitable for family viewing depending on the age and maturity of those attending. The show contains:
- Minimal mild language
- Depiction of a crime scene where a murder has previously taken place
- A few scenes containing or alluding to firearm use with a loud noise
- An implicit tobacco reference (Holmes carries a pipe)
- No sexual themes or references
When is the next run of the musical and how can I get tickets?
The show has concluded successful runs in the 2014 Master's Academy theatre season, the 2016 Empty Spaces Theatre Co(llaboration) season, the 2017 New York Musical Festival, the 2017-2018 Valencia State College theatre season, the 2019 Chicago Musical Theatre Festival, and at a concert reading at Bay Street Players in Eustis, FL. We are also actively exploring and seeking opportunities to put the show in front of even more audiences in a variety of locations, and we look forward to announcing future productions here.
What resources are required to stage a production of My Dear Watson?
My Dear Watson is written for maximum production flexibility. The musical features eight characters who may perform with or without an ensemble. Sets and costumes may be very simple or as elaborate as resources allow. For maximum effect, the musical is scored for string quintet, woodwind quintet, piano, and percussion. However, the show can be performed very effectively with only a piano and violin, or a track may be used if necessary.
How can I bring My Dear Watson to my area?
We would love to hear from you. Please e-mail for more information.
About the Playwright
Jami-Leigh Bartschi is a music educator, playwright, musical director, and composer, originally from Milford, Connecticut. She holds a Bachelor of Arts Degree in Music and a Master's Degree in Liberal Studies from Rollins College. She has been recognized as Teacher of the Year, and she has accompanied and musical directed numerous productions, including West Side Story, Guys and Dolls, The Drowsy Chaperone, and Cinderella, among others. She lives with her husband in Longwood, Florida.
2019 Bay Street Players Production
My Dear Watson was performed for the first time with its full live instrumentation at the Historic State Theater in Eustis, FL August 16-17, 2019! The limited engagement featured a concert version of the show with a staged reading by the actors. John DiDonna, a 27-year veteran of Orlando theater who has been involved with the show since its infancy, returns to direct this production. We were greatly excited to share this unique opportunity to see and hear the show complete with a woodwind quintet, strings, piano, and percussion!
Showtimes
- Friday, August 16, 2019 at 8:00 pm
- Saturday, August 17, 2019 at 2:00 pm
- Saturday, August 18, 2019 at 8:00 pm
All performances were held at:
The Historic State Theater in Eustis
109 N Bay St
Eustis, FL 32726
Please Note: This production was a special event hosted by the Bay Street Players. It is not included in their 2019-2020 main stage season package.
Directed by John DiDonna
Cast
Malcolm Boniface is a lifelong performer and recent graduate of Valencia College. In addition to being a musical theater performer, he is a magician, fire performer, and knife thrower performing with Phantasmagoria as well as all around the Orlando area. When not on stage, Malcolm enjoys filling his time as a costumer and cosplayer, recreating characters from pop culture in books, movies and TV.
Kyle Stone is grateful to be making his return to 221 B. Baker St. He debuted as Dr. John Watson at the Lowndes Center production and was able to reprise the role at the New York Musical Festival. Kyle currently is an Orlando-based actor and can be seen in many venues around town. His most recent performance at Bay Street was in the title role of Sweeney Todd. Thank you to all who support live theatre.
A native of Boca Raton, Florida and graduate of UCF and Northwestern University, John Teixeira has performed in many opera and musical theater productions across the United States. His recent credits include Evita (Che) with Osceola Arts, The Pirates of Penzance (Pirate King) and Bye Bye Birdie (Albert Peterson) with Central Florida Community Arts, and I Pagliacci (Villaggio) with Opera Orlando. He is grateful to his friends, coworkers, and family for their love and support and would like to thank everyone for coming out to support theater in Central Florida. John would like to dedicate this performance to his grandmother, Mary.
Brandon Munoz-Dominguez is a UCF student pursuing a Bachelor of Arts degree in Theater. He has previously portrayed Edward Bloom in Big Fish, Juan Peron in Evita, and Georg in Spring Awakening at Valencia College, as well as a Gangster in The Drowsy Chaperone and the Jester in Once Upon a Mattress at Central Florida Community Arts.
Liz Curtis has been acting in Central and South Florida for some 40 years. She holds a degree in Drama from Palm Beach State College. This is the fourth time Liz has had the honor of playing Mrs. Hudson, and rather hopes it won’t be the last.
Gabriel Garcia is a Central Florida based actor, director and playwright. Past credits include Tom Wingfield in The Glass Menagerie, Oscar Wilde in Gross Indecency: The Three Trials of Oscar Wilde, Giggles the Clown in Clown Bar, John Wilkes Booth in Assassins, Pinocchio in Shrek, and John Douglas in My Dear Watson. He recently premiered his own original play Shadow Tales for a Darkened Theater at the 2019 Orlando Fringe Festival. He can also be seen with Oviedo-based dance company Flamenco del Sol. Gabriel would like to thank his friends and loved ones for their support and love along the way.
Brittany Nicole Smith is an actor, singer/songwriter, and dancer based in the Orlando area. She recently graduated from Valencia College with her Associate's Degree in theater. Brittany portrayed Ivy Douglas in the 2018 Valencia College production of My Dear Watson and is extremely grateful to reprise her role in this beautiful show. She has 10 years of dance training, and in her spare time she enjoys working on her music and her work as a freelance photographer. Previous roles include Graziella in West Side Story, Chutney in Legally Blonde and Mayzie in Seussical.
Kyle Meehan has been studying acting and music for about eight years. A current Valencia college student, he is pursuing an AA degree in musical theatre. He has played Augustus gloop in Willy Wonka: The Musical, Cinderella's prince in Into the Woods, Jafar in Aladdin, and ensemble roles for Valencia College's production of Evita. Kyle currently work as a server and hopes for great career in the performing arts. He gives all credit and thanks to the education and support from family and friends and to Mrs. Pamela Varnadore who pushed him to bring out his talent. Kyle would also like to thank John DiDonna for allowing him this incredible opportunity.
Crew
John DiDonna is Chair of Theater for Orlando’s Valencia College, as well as the Creator of the Victorian Horror Troupe Phantasmagoria. Recent roles include Sherlock Holmes in the NYMF production of My Dear Watson, Martin in Albee’s The Goat, Frank N Furter in The Rocky Horror Show, de Sade in Marat/Sade, and Sir Thomas More in Man for All Seasons. As a director John has guided Phantasmagoria through nine seasons, and recently directed his original works Creation and Division: The Trayvon/Jordan Project.
Jami-Leigh Bartschi is a playwright, composer, and music teacher from Orlando, Florida. She has served as Musical Director for numerous professional, community, and school productions, including The Producers, Cinderella, Cabaret, Young Frankenstein The Drowsy Chaperone, Little Shop of Horrors, and many more, including the first two productions of My Dear Watson in the Central Florida area. She received her B.A. and M.L.S. degrees from Rollins College, and she is a lifelong Sherlock Holmes fan.
Meghan Pelfrey has stage managed numerous Central Florida productions, most recently the regional perennial favorite Phantasmagoria. Her previous credits include Romeo and Juliette, Aridane auf Noxos, Season Sparkle, and Sweeney Todd for the St. Petersburg Opera Company. She holds degrees in Technical Theatre from the University of South Florida and Valencia Community College.
Orchestra
Pati Sayers is a Music Specialist and accompanist for Theatre UCF. She graduated from UCF with a BA in Music and an MA in Education. She earned her way through college by playing for shows at a local dinner theatre. Before her UCF position, she was choral music director at South Lake High School in Lake County. Pati has performed in cabarets in NYC at the Duplex and at Michael Feinstein’s 54 Below. She was part of the orchestra in the fall 2014 production of Les Miserables at the Orlando Shakespeare Theatre and was the musical director for Ain’t Misbehavin’ at the Mad Cow Theatre and Hair at Theatre UCF. She has previously served as pianist for My Dear Watson in its Off Broadway run at the 2017 New York Musical Festival, and she musical directed and accompanied the 2018 Valencia production. She is married to John and has three sons and a granddaughter.
Katherine Zeng holds a Bachelor of Science in Music Education from Indiana University of Pennsylvania and a Master of Music Education from The University of Florida. She has directed orchestras in Orange County Public Schools and Lake Highland Preparatory School, served on the Florida Orchestra Association Executive Board as the District 8 Chair, and has performed with many churches, schools, and outside organizations. Previous shows include The Wizard of Oz, The Nutcracker, Fiddler on the Roof, The King and I and, most recently, Les Miserables. Katherine currently teaches privately across Central Florida.
Stephan Labelle holds a Bachelors of Music in Music Education from the University of Delaware. He has directed orchestra, guitar, and keyboard programs in the Cranford Public Schools and Rahway Public Schools in NJ as well as Orange County Public Schools in Central Florida, and he is currently the Orchestra and Guitar Director at Wekiva High School in Apopka, FL. He has performed as a soloist as well as with various ensembles such as the Blue Hen String Quartet and the Lieto String Quartet in Pennsylvania as well as many outside organizations. He also teaches privately throughout Orange County. Stephan's previous shows include The Pirates of Penzance, Seussical, Sweeney Todd, Shrek The Musical, 9 to 5: The Musical, and The Wedding Singer.
Erick has been performing professionally for the past decade around the globe! He’s been working around several theme parks such as Dollywood and Universal Studios Orlando as well as Viking Cruise Ocean Cruise Lines. Some previous credits include Billy in Flying Lessons, Marius in Les Miserables, WOOF in HAIR: The Musical and Ricky in the original musical From Here. Erick would like to thank his family for their immeasurable support.
Lisa Coyne studied under Dr. Nick Curry at the University of North Florida where she double majored in Music Education and Cello Performance. She enjoys playing in orchestra, but enjoys playing chamber music more than anything. Lisa is the Orchestra Director at University High School in Orlando, and also teaches private cello lessons. She has studied the Suzuki Method with Dr. Melissa Kraut, and has played in master classes for Melissa Kraut, Mihai Tetel, Wesley Baldwin, David Starkweather, the Montrose Trio, and the Calidore String Quartet, amongst others.
Laura Knott is senior music major at the University of Central Florida, where she studies under Michael Hill. She has been playing double bass for 12 years. Laura has played in various musical theatre productions throughout Florida, some of which include Titanic, This One's for the Girls, and Thoroughly Modern Millie.
Gabriella Davids is a high school English teacher, writer, and CrossFit coach from Orlando, Florida. She has been playing flute for seventeen years. Musical highlights include being a member of the Florida State University Marching Chiefs, leading the pit orchestra for musicals at her school, and currently playing as a member of the Rollins College Wind Ensemble. She is very excited to participate in this amazing production with her husband, the oboist, at her side.
Aaron Davids is an actuary from Orlando, Florida. He has been playing oboe for seventeen years, and currently plays in the Rollins College Wind Ensemble. Aaron has a music minor from Florida State University, and is currently working on an MBA from Tiffin University. He is excited to be a part of this fantastic production alongside his wife, the flautist.
Charles Hafner has played clarinet in numerous groups and ensembles around the Orlando area. He has also played in various performances for the Bach Festival Orchestra in Winter Park. In 2018, he received his B.A. degree from Rollins College with a focus in music education. Mr. Hafner has taught students both privately and in the music classroom. After graduation, he began teaching for Orange County Public Schools at Rock Lake Elementary located in Orlando, FL. He continues to teach for the school district and is the band and orchestra director at College Park Middle School and is also on the marching band staff for the Edgewater High School band program.
Yannick Innis is the Director of the Gray Middle School Gator Band in Groveland, FL in his 13th year of teaching. He has also worked as a guest brass clinician with numerous middle and high school band programs around Florida. He studied Euphonium at Stetson University and has performed with the Walt Disney World College Band Program. Yannick also plays euphonium with the Brass Band of Central Florida and serves on the brass faculty for the Stetson summer brass camp.
Mark Bartschi is an HR professional from Central Florida and a lifelong fan of musical theater and music in general. After a long theatrical hiatus staying in the audience and doing administrative work since performing in high school, he returned to the stage this summer as Harry MacAfee in Central Florida Community Arts' production of Bye Bye Birdie. He has played snare and aux percussion since middle school and studied percussion methods at Rollins College in Winter Park. He regularly sings and plays aux percussion at Annunciation Catholic Church, and he recently performed in the orchestra for the Springs Sing! choral collaboration event in Altamonte Springs.
2019 Chicago Musical Theatre Festival Production
My Dear Watson headed to the Second City in February 2019 at the Chicago Musical Theatre Festival, which showcases muscal theatre writing talent and puts shows in front of publishers who can help further develop and distribute shows. For the first time, we were delighted to have our actors and creative team sourced entirely from Chicago's rich pool of talent, joining us to introduce this production to a yet another audience in a city with a fantastic tradition of arts and theatre!
Showtimes
- Tuesday, February 5 at 8:00 pm
- Sunday, February 10 at 6:00 pm - SOLD OUT
- Monday, February 11 at 8:00 pm - Extra Show
- Friday, February 15 at 7:00 pm - SOLD OUT
- Wednesday, February 20 at 8:00 pm
- Saturday, February 23 at 3:00 pm - SOLD OUT
All performances were held at:
The Edge Theatre
5451 N Broadway
Chicago, IL 60640
Directed by Skylar Grieco
Cast
Alex Iacobucci is a pure-bred Italian who moved to Chicago in 2015 to pursue his career as an Actor and as a Software Engineer, and he is incredibly excited for this opportunity to embody the legendary investigator! Some recent credits include: Featured Dancer/Ensemble in Meet me in St. Louis (Edge of the Wood Theatre), Featured Dancer/Ensemble in On the Town (Highland Park Players), Ensemble in Hildegard of Bingen: The Musical (With a Machete Productions), Brandon/Dancer in F*cking Men (Pride Films and Plays), Dancer/Ensemble in Chicago (Big Noise Theatre), and Seth Rothman in Liberators (Chicago MT Festival 2018). He would like to thank Travis and all of his friends for their constant support!
Travis Shanahan is delighted to be playing Watson in the Chicago premiere of My Dear Watson! Since graduating from Wheaton College's Arena Theater in 2016, Travis has been acting and continuing his theatrical education around Chicago. Some of his favorite roles have been Joe in The Spitfire Grill, Lt. Brannigan in Guys & Dolls, and Sebastian in Twelfth Night. When not on stage, Travis can be found obsessing about the NBA, writing love letters to Saoirse Ronan, and leading worship Sunday mornings at his church.
Taylor is stoked beyond belief, not only to portray Moriarty in the Chicago premiere of My Dear Watson, but also for the opportunity to perform in his first musical in Chicago and to bring a character created by legendary author Sir Arthur Conan Doyle to life (especially such a complicated villain)! Previously, Taylor made his Chicago debut as Tony in James Downing Theatre’s Men Are Dogs last fall. He has studied at Acting Studio Chicago, The Annoyance Theatre, Profiles Theatre and A Red Orchid Theatre, and has been seen at various bars across the city performing standup comedy. Taylor feels very fortunate to have so many friends and family to thank for their unyielding support and wants them to know how much they mean to him and how he couldn’t have done this alone.
Hannah is thrilled to be a part of the My Dear Watson family at the Chicago Musical Theatre Festival! Chicago credits: Everybody (Brown Paper Box Co.), The Volitive Effect… (Theatre Evolve), Everleigh Yours (E.D.G.E of Orion), Brick Wall (On The Spot), and The Vagina Melodies (Corn Productions). Favorite credits include Bad Shakespeare (Edinburgh Fringe Festival); Heathers the Musical, Clybourne Park and Stupid F**king Bird (OCU). Thank you to Skylar and Jami as well as this company for welcoming her with open arms. Proud Oklahoma City University grad. For Mom, Lisa and Dad.
Michelle McKenzie-Voigt is pleased make her Chicago Musical Theatre Festival debut in this rich, clever, inventive new work. With roles ranging from Shakespeare to Sondheim, her recent credits include The Full Monty (Timber Lake Playhouse), Four by Tenn (AstonRep), Billy Elliot (Porchlight Music Theatre), Coriolanus (Commission Theatre), Mame and Guys and Dolls (Music Theater Works), and the Lady Macbeth of musical theater, Rose in Gypsy (Harper Ensemble Theatre). A five-time Chicago Emmy nominee, she has been a soloist with the Southwest Symphony Orchestra. In April, she will appear as Brabantio in an all-female production of Othello for Babes with Blades. Thanks to Skylar, Jami-Leigh, this outstanding cast and crew, and YOU for being here!
Brittany is excited to be part of this team for the Chicago Musical Theatre Festival! In Chicago, she's worked with About Face Theatre, Kokandy Productions, The Comrades, Broken Nose Theatre, Aston Rep, and Underscore. Brittany also works as a teaching artist and spends her days singing, dancing, and generally being silly.
Sam Baum is so excited to be making his professional Chicago debut in My Dear Watson! Sam is originally from Evanston, Illinois and is a recent graduate from American University in Washington, D.C. where he received a B.A. in Theatre.
Production Team
Skylar Grieco is a Chicago based theatre artist primarily focused on directing and education. He received his bachelor's degree in theatre from Middle Tennessee State University and has spent the last year creating new plays for Young Audiences with Improv Playhouse. Most recently Skylar partnered with the Chicago Public Library system to bring an original play based on National Parks to nineteen branches this summer, coinciding with Chicago's Summer Learning Challenge. He is excited to be working on CMTF again this year, but this time with a production instead of the festival as a whole.
Alexander Tom, Visiting Assistant Professor of Musical Theatre at North Central College, holds his MM from Shenandoah Conservatory in conducting and an honors BMUS from Arizona State University in composition. An accomplished educator, vocal coach, composer and music director, Alexander has held appointments with Shenandoah Summer Music Theatre, Interlakes Summer Theatre, Creede Repertory Theatre, Arizona Broadway Theatre and Valley Youth Theatre. Musicals include Of Leto, Til Death, and Bodyguard! Protector of Anatomy. Production credits include Guys and Dolls, Hairspray, Beauty and the Beast, Newsies, The Last Five Years, West Side Story, Oklahoma!, La Cage aux Folles, Sweeney Todd, Evita, Lysistrata Jones, and Spring Awakening.
Austyn Davis is a Chicago-based theatre artist and is thrilled to be a part of My Dear Watson. She has previously worked as a choreographer, director, and teaching artist at Florida Repertory Theatre, Lexington Children’s Theatre, and Improv Playhouse. After graduating from the University of Mississippi (Hotty Toddy!) she made the move to the Windy City to complete a year of service in Chicago Public Schools with AmeriCorps and Adventure Stage Chicago. Austyn continues as a mentor with the ASC Trailblazers and a stage manager with Mudlark Children’s Theatre.
Sydney Rhiannon Smith is a lighting designer based in Austin, TX. Some of her previous work has been seen at Davis Shakespeare Festival (On the Twentieth Century), Stagedoor Manor (On the Town, West Side Story, Oliver!, Aida), and Sam Houston State University (As She Sleeps, Co.De De.Co). She holds a Bachelor of Science in Theatre from Middle Tennessee State University, and is currently pursuing her Master of Fine Arts in Lighting Design at Texas State University.
Hannah Haverkamp is a Wardrobe Assistant at American Players Theatre and a Sherlock Holmes enthusiast. She has previously worked at St. Anthony Main Theatre in Minneapolis and Eau Claire Children's Theatre in Wisconsin, where she led costume design for 18 shows and assisted on 36 more. Hannah holds a Bachelor of Arts degree from Beloit College, where she served as a scene shop and costume shop technician and then supervisor.
Caleb “Cal” Walker is a writer, director, and maker hailing from the swampy suburbs of Washington, DC. As a performer, they have been seen with Headline Theater, Out On A Whim, and UnRehearsed Shakespeare. This past May, Cal graduated Cum Laude from Columbia College and immediately after produced, wrote, and performed in Eleven Empty Frames, which premiered at this year’s YippieFest. Cal is fresh off of stage managing the New World Play Festival with Nothing Without A Company, which had 10 Chicago premieres in three weekends. By comparison, a new musical is a walk in the park. In their free time, Cal dresses up as Meat Loaf in front of a screen as part of the Midnight Madness Rocky Horror Shadowcast. Love to Ronan, Ramsey, and the Famalamarama.
Mark Bartschi is an HR professional from Central Florida. While his acting credits are limited to high school productions, he is a lifelong fan of musical theater and music in general. Bartschi holds a Bachelor of Arts degree in Computer Science and a Master's Degree in Business Administration, both from Rollins College. He is thrilled to be on this incredible journey with his wife Jami and honored to support the administrative aspects of this production.
Signature Sponsor
We are once again honored to have the support of The Conan Doyle Estate as our signature sponsor for this production. The family manages the literary, merchandising and advertising rights in Conan Doyle’s works & characters, including Sherlock Holmes, Dr. Watson, and Professor Challenger. The Estate owns United States copyrights in the works still under copyright protection in the U.S.A. and also own U.S. trademark and common law rights in the name and image of Sherlock Holmes and other of Conan Doyle’s characters.
Holmes Donors
$100+
Nicholas Belli
Cynthia Sweeney
Scott Circe
Sondra Jones
James “Jellyrolls” Moriarty
Kenneth and Patricia Bartschi
Watson Donors
$50 - $99
Sibyl Cushman
Judson Haverkamp
Lestrade Donors
$25 - $49
Anna Smithberger
Nedra McNamara
Chase Hauser
Kevin Grady
Laurie Rich
Janeen Wilkey
Matthew Daugherty
Donald Rupe
Heidi Haverkamp
Kristen Gregerson
Get Involved
We humbly invite you to support this production and the wonderfully talented artists who are breathing life into it! Donations of $50 or more will receive a poster signed by the cast and crew, and donations of $100 or more will also receive a donor-exclusive DVD of the production!
2018 Valencia State College Production
My Dear Watson returned home for its first collegiate production at Valencia State College in June 2018. John DiDonna, a 26-year veteran of Orlando theater and artistic director of Valencia's theater program, returned to direct this production. We were extremely gratified to see how this new generation of actors, musicians, and crew members breathed life into the show and were honored to sell out every performance well in advance!
Showtimes
- Saturday, June 8, 2018 at 7:30 pm
- Saturday, June 9, 2018 at 7:30 pm
- Sunday, June 10, 2018 at 2:00 pm
- Monday, June 11, 2018 at 7:30 pm ($10 Industry Night Price)
- Friday, June 15, 2018 at 7:30 pm (Artist Talkback Session Following This Performance)
- Saturday, June 16, 2018 at 7:30 pm (ASL Interpreted)
- Sunday, June 17, 2018 at 2:00 pm
All performances were held at:
East Campus Black Box Theater
701 N Econlockhatchee Trail
Orlando, FL 32825
Production Details Watch Clips
Directed by John DiDonna
Cast
Malcolm Boniface is a lifelong performer and recent graduate of Valencia College. In addition to being a musical theater performer, he is a magician, fire performer, and knife thrower performing with Phantasmagoria as well as all around the Orlando area. When not on stage, Malcolm enjoys filling his time as a costumer and cosplayer, recreating characters from pop culture in books, movies and TV.
Kyle Meehan has been studying acting and music for about eight years. A current Valencia college student, he is pursuing an AA degree in musical theatre. He has played Augustus gloop in Willy Wonka: The Musical, Cinderella's prince in Into the Woods, Jafar in Aladdin, and ensemble roles for Valencia College's production of Evita. Kyle currently work as a server and hopes for great career in the performing arts. He gives all credit and thanks to the education and support from family and friends and to Mrs. Pamela Varnadore who pushed him to bring out his talent. Kyle would also like to thank John DiDonna for allowing him this incredible opportunity.
Brian Wardeh is extremely proud to be in this production. He currently lives in Orlando and attends both Valencia and UCF. Past credits include James in The Miracle Worker, Professor Bhaer in Little Women, and Chef Louis in The Little Mermaid.
Liz Curtis has been acting in Central and South Florida for some 40 years. She once appeared in a production of Proof in South Africa with Marius Weber. She holds a B.A. in English and an A.A. in Drama.
Born just 1000 miles from Chicago, Alexis feels this role hits very close to home. Joking aside he’s very excited to be a part of such a talented cast in his third musical endeavor. His past credits ranged from Joey Primo in Rock of Ages to the Red Queen in a rendition of Alice in Wonderland. He excited to be back where he discovered his passion for acting.
Brittany Smith is an actor/dancer/singer and songwriter currently working towards her A.A. in musical theatre at Valencia College. She has 10 years of dance training, and in her spare time she enjoys working on her music and her work as a freelance photographer. Previous roles include Graziella in West Side Story, Chutney in Legally Blonde and Mayzie in Seussical.
Gabriel began his performing career as a musician playing the cello, and french horn as well as conducting before moving into theatrical arts. Notable credits include the Cat in the Hat from Seussical the Musical, and the Wolf from Into the Woods. When he is not on stage he can be found sharing his love of theatre with young elementary school performers. Gabriel would like to thank John DiDonna for this opportunity, and his parents, girlfriend, brother and friends for their continued support.
Melanie Vanderford is an Orlando based actress and student at the University of Central Florida. This is her first theatre production at Valencia and she is very grateful for the opportunity to bring My Dear Watson to life.
Eric Bigham had the world of theatre opened to him in his first role as Wickham in Pride and Prejudice. He has also played ensemble roles in A Christmas Carol and the 2014 production of My Dear Watson at the Master's Academy. He has also discovered a particular love for technical theater work, stage managing Romeo and Juliet and Cinderella. Having completed his Entertainment Design and Technology degree at Valencia, he looks forward to starting a role as an Entertainment Technician at Disney's Animal Kingdom this summer.
Crew
John DiDonna is Chair of Theater for Orlando’s Valencia College, as well as the Creator of the Victorian Horror Troupe Phantasmagoria. Recent roles include Sherlock Holmes in the NYMF production of My Dear Watson, Martin in Albee’s The Goat, Frank N Furter in The Rocky Horror Show, de Sade in Marat/Sade, and Sir Thomas More in Man for All Seasons. As a director John has guided Phantasmagoria through nine seasons, and recently directed his original works Creation and Division: The Trayvon/Jordan Project.
Kristin has worked in the entertainment industry in Orlando since 1996 as a scenic artist, set designer, lighting designer and stage hand. Her work has appeared in Disney theme parks, Universal Studios, Sea World, the Orange County Convention Center, commercials, and at various Orlando area theaters. She has long since lost count of how many productions she’s worked on. Kristin started her career at Minnesota State University, Moorhead as a Technical Director and continues it Valencia College, also as Technical Director. In addition, she designs scenery and lighting for VCC Theater productions, and teaches various Entertainment Design and Technology courses. Kristin indulges her fondness of puppets by working as a stage hand at Disney’s Animal Kingdom during college breaks. Kristin has a B.A. in Theater Arts from Minnesota State University, Moorhead.
Constance Blackmon Lee is an interdisciplinary fiber costume artist. Lee has worked in Chicago as a freelance costume designer, and wearable fiber object maker for such companies as Women Made Gallery, Opera In The Ozarks, Erica Mott Productions, The Chicago Literary Guilt Complex’s Poetry Performance Incubator, Chicago Dramatist, Sharon Bridgeforth - The Theatrical Jazz Institute, Chicago Dance Makers Forum, Opera Matic, E.T.A Creative Arts foundation, and Pavement Group Theatre. Lee’s art is inspired by story, environment, community arts centric work. Lee was nominated for Best Costume design by The Black Theatre Alliance.
Dana Mott is the Conductor of Narrative Chaos (Creative Director) at Simiosys, a Central Florida creative design and consulting firm. Dana’s background is interactive storytelling for live and virtual experiential design. She is also actively involved in local theatre as an art director and projection artist for productions such as Phantasmagoria.
Ross Rauschkolb is the Technical Director of College Theatrical Programs at Valencia College. His responsibilities include technical drawings of existing spaces, scenic construction drawings, and future rennovations. Ross also serves as project manager for installation of theatrical lighting and rigging, and as a draftsman for publication of submittal, coordination, installation, and as-built drawings. His specialties include Autocad drafting, rigging, theater electrical work, MIG welding, carpentry, and photography.
Patricia Weber is a recent graduate of Valencia State College where she studied all aspects of back-of-house theater, including lighting, audio/visual, set design, house management, stage management, and directing. She has put those skills to use at Valencia, the Orlando Shakespeare Theater, Blackout Productions, and 24-7 Entertainment.
Bill Warriner is a graduate of the American Musical and Dramatic Academy, where he went on to teach stage combat, and he has served as fight director for the Delaware Theatre Company, Pennsylvania Renaissance Fair, Valencia State College, and the Orlando Shakespeare Theater, including productions of Othello, Julius Cesar, and Bakersfield Mist. A member of Actors Equity, he has also performed at Tokyo Disney Sea, Walt Disney World, and Sleuths Mystery Dinner Shows.
Jenny LeVasseur is currently a Valencia student specializing in Live Show Production and will be graduating this year. This Spring, she was an assistant stage manager for The Miracle Worker at Valencia College. In the past, Jenny has also stage managed and choreographed many shows in Michigan with the Oakland Theatre Guild.
Jason is delighted to be dialect coaching for the first time, finally putting his English accent to good use. Primarily an actor, he is a graduate of London's East 15 Acting School and iO Chicago. Theatre credits include: The Buddy Holly Story (UK National Tour), Waiter in First Date (The Abbey), Pastor Greg in Hand To God (Dr Phillips Center), Prof. Moriarty in My Dear Watson (NYMF), Charles Babbage in Ada And The Engine (Playfest, Orlando Shakespeare Theatre), Father in Lil Women: A Rap Musical (NY Frigid Festival, Kansas City Fringe, Edmonton Fringe, Orlando Fringe), Frank Strang in Equus (Dir. Jeremy Seghers), Donner in The Eight: Reindeer Monologues (Orlando Fringe), Rooney in Ferris Bueller's Day Off: The Unofficial Musical (Orlando Fringe), Simple in Merry Wives Of Windsor (Brighton Open Air Theatre). Film credits include: The Florida Project (Dir. Sean Baker). Jason could not be here, literally or figuratively, without the loving and supportive Megan.
American Sign Language Services, Inc. is a nationwide company dedicated to providing the highest quality of professional and ethical Sign Language services at reasonable prices to the community in accordance with the communication preferences of the Deaf and Hard of Hearing persons we serve. Since 1989, ASL Services has set the regional standard in meeting ADA requirements, bridging communication, and enhancing the quality of interaction between the Deaf and Hearing communities.
Orchestra
Pati Sayers is a Music Specialist and accompanist for Theatre UCF. She graduated from UCF with a BA in Music and an MA in Education. She earned her way through college by playing for shows at a local dinner theatre. Previous to her UCF position, she was choral music director at South Lake High School in Lake County. Most recently, she performed in a cabaret in NYC at the Duplex with UCF students, alums, and professors. She was part of the orchestra in the fall 2014 production of Les Miserables at the Orlando Shakespeare Theatre, and she recently was the musical director for Ain’t Misbehavin’ at the Mad Cow Theatre and Hair at Theatre UCF. Pati is also appearing in a caberet at Feinstein’s 54 Below in NYC. She is married to John and has three sons and a new granddaughter. Pati is very excited and honored to be a part of this creative arts presentation of My Dear Watson.
Katherine Zeng holds a Bachelor of Science in Music Education from Indiana University of Pennsylvania and a Master of Music Education from The University of Florida. She has directed orchestras in Orange County Public Schools and Lake Highland Preparatory School, served on the Florida Orchestra Association Executive Board as the District 8 Chair, and has performed with many churches, schools, and outside organizations. Previous shows include The Wizard of Oz, The Nutcracker, Fiddler on the Roof, The King and I and, most recently, Les Miserables. Katherine currently teaches privately across Central Florida.
Lisa Coyne studied under Dr. Nick Curry at the University of North Florida where she double majored in Music Education and Cello Performance. She enjoys playing in orchestra, but enjoys playing chamber music more than anything. She currently teaches private cello lessons and has studied the Suzuki Method with Dr. Melissa Kraut. She has played in master classes for Melissa Kraut, Mihai Tetel, Wesley Baldwin, David Starkweather, the Montrose Trio, the Calidore String Quartet, amongst others. This past summer, Lisa attended the Green Mountain Chamber Music Festival in Burlington, Vermont, where she studied and performed with a string quintet.
Valencia State College Theater Department Faculty and Staff
Special Thanks
Dr. Stacey Johnson, Dean Wendy Givoglu, Jackie Harris and the entire Valencia office staff, Word Processing, Valencia Security, Roger Corriveau, Les Caulfield, Jennifer Richmond, TJ Roberts, Mrs.Skibicki
And with great gratitude and love to Barbara Solomon.
2017 New York Musical Festival Production
My Dear Watson made its New York Debut in July 2017 at the prestigious New York Musical Festival, which nurtures the creation, production, and public presentation of stylistically, thematically, and culturally diverse new musicals to ensure the future vitality of musical theater. John DiDonna, a 25-year veteran of Orlando theater, returned to direct this production. Our creative team couldn't be more excited about this amazing opporunity to introduce this production to a new audience in the musical theatre capital of the world!
Showtimes
- Tuesday, July 11, 2017 at 8:00 pm
- Thursday, July 13, 2017 at 9:00 pm
- Friday, July 14, 2017 at 1:00 pm
- Saturday, July 15, 2017 at 5:00 pm
- Sunday, July 16, 2017 at 1:00 pm
All performances were held at:
Playwrights Horizons - Peter Jay Sharp Theater
416 W 42nd St, 4th Floor
New York, NY 10036
Directed by John DiDonna
Cast
John DiDonna is Chair of Theater for Orlando’s Valencia College, as well as the Creator of the Victorian Horror Troupe Phantasmagoria. Recent roles include Martin in Albee’s The Goat, Frank N Furter in The Rocky Horror Show, de Sade in Marat/Sade, and Sir Thomas More in Man for All Seasons. As a director John has guided Phantasmagoria through eight seasons, and recently directed his original works Creation and Division: The Trayvon/Jordan Project.
Kyle Stone is excited to make his return to the role of Dr. John Watson in this year's Festival. He is currently based in Florida where he is represented by BMG TALENT for TV and film work. Most recent credits include Jacob Aborn / William Bellows in Nancy Drew and Her Biggest Case Ever, John Utterson in Jekyll and Hyde: The Musical, and Ken Peterson in Whose Life Is It Anyway. Kyle is a proud troupe member/storyteller of Phantasmagoria.
Jason Blackwater is a graduate of London's East 15 Acting School and iO Chicago. Theatre credits include: The Buddy Holly Story (UK National Tour), Father in Lil Women: A Rap Musical (Frigid Festival, Orlando Fringe), Frank Strang in Equus (Dir. Jeremy Seghers), Donner in The Eight: Reindeer Monologues (Orlando Fringe), Rooney in Ferris Bueller's Day Off: The Unofficial Musical (Orlando Fringe), Simple in Merry Wives Of Windsor (Brighton Open Air Theatre). Film credits include: The Florida Project (Dir. Sean Baker). Jason could not be here without the loving and supportive Megan.
Justin Mousseau is an Actor/Comedian from Orlando, FL. An alumnus of the University of Central Florida Musical Theatre Program, he has appeared in numerous productions across the Central Florida region, including the regional premiere of Big Fish (Amos Calloway), Lizzie Borden (Joseph Howard), Nancy Drew and Her Biggest Case Ever (Carson Drew/Burglar) at the Orlando Repertory Theater, as well as several roles at Universal Studios Orlando. This May, he was seen in the world premiere of Zombie Island, or: How to Survive a Wedding with Your Ex at the Orlando International Fringe Festival.
Liz Curtis has been acting in Central and South Florida for some 40 years. She once appeared in a production of Proof in South Africa with Marius Weber. She holds a B.A. in English and an A.A. in Drama.
Jackson McLaskey is an NYC based actor/writer originally hailing from Detroit, MI. Previous credits include Frank-N-Furter (Rocky Horror Picture Show), Frederick Fellows (Noises Off), O Li Roon (In the Red and Brown Water), and Sky Masterson (Guys and Dolls). McLaskey holds a BFA from Wayne State University and extends his thanks to the team at My Dear Watson. He wishes to express much love to a wonderful family and the world's most supportive friends. For Kaye.
Jaz Zepatos is an NYC-based Actress/Improviser and first-time NYMF participant. Previous roles include Lauren in Circle Mirror Transformation, Gloria in Boeing Boeing, Natalie in Next to Normal, and Audrey in Little Shop of Horrors. She is a proud Rollins College alumna and is thrilled to be part of this team.
Tim Marriott is very excited to join the cast of My Dear Watson. A Florida native, his musical credits include The Rocky Horror Show (Rocky), Hairspray (Link Larkin), Social Intercourse (The Duplex, NYC), and Rent. Other shows include Shakespeare's Twelfth Night (Orsino), Hamlet (Laertes), and Two Gentlemen of Verona (Proteus). He sends his love to his Galway Girl, Katie.
Crew
Jaz Zepatos is an NYC-based Actress/Improviser and first-time NYMF participant. Previous roles include Lauren in Circle Mirror Transformation, Gloria in Boeing Boeing, Natalie in Next to Normal, and Audrey in Little Shop of Horrors. She is a proud Rollins College alumna and is thrilled to be part of this team.
Jami-Leigh Bartschi is a playwright, composer, and music teacher from Orlando, Florida. She has served as Musical Director for numerous professional, community, and school productions, including The Producers, Cinderella, Cabaret, Young Frankenstein The Drowsy Chaperone, Little Shop of Horrors, and many more, including the first two productions of My Dear Watson in the Central Florida area. She received her B.A. and M.L.S. degrees from Rollins College, and she is a lifelong Sherlock Holmes fan.
Meghan Pelfrey has stage managed numerous Central Florida productions, most recently the regional perennial favorite Phantasmagoria. Her previous credits include Romeo and Juliette, Aridane auf Noxos, Season Sparkle, and Sweeney Todd for the St. Petersburg Opera Company. She holds degrees in Technical Theatre from the University of South Florida and Valencia Community College.
Dana Mott is the Conductor of Narrative Chaos (Creative Director) at Simiosys, a Central Florida creative design and consulting firm. Dana’s background is interactive storytelling for live and virtual experiential design. She is also actively involved in local theatre as an art director and projection artist for productions such as Phantasmagoria.
Coleen Carlson is a fifteen-year veteran of theatre, making the transition from the stage to professional costuming in 2014. After spending years on the stage, she was thankful to be able to return to her passion of the theatre, costuming shows such as Young Frankenstein, Moon Over Buffalo, Cabaret, and King Lear. She has spent the better part of a decade working with historical costume, and recreating historical pieces. Coleen would like to thank her family for their constant support, and the cast and crew for the incredible opportunity to bring My Dear Watson to life.
Mark Bartschi is an HR professional from Central Florida. While his acting credits are limited to high school productions, he is a lifelong fan of musical theater and music in general. Bartschi holds a Bachelor of Arts degree in Computer Science and a Master's Degree in Business Administration, both from Rollins College. He is thrilled to be on this incredible journey with his wife Jami and honored to support the administrative aspects of this production.
Orchestra
Pati is a Music Specialist and accompanist for Theatre UCF. She graduated from UCF with a BA in Music and an MA in Education. She earned her way through college by playing for shows at a local dinner theatre. Previous to her UCF position, she was choral music director at South Lake High School in Lake County. Most recently, she performed in a cabaret in NYC at the Duplex with UCF students, alums, and professors. She was part of the orchestra in the fall 2014 production of Les Miserables at the Orlando Shakespeare Theatre, and she recently was the musical director for Ain’t Misbehavin’ at the Mad Cow Theatre and Hair at Theatre UCF. Pati is also appearing in a caberet at Feinstein’s 54 Below in NYC. She is married to John and has three sons and a new granddaughter. Pati is very excited and honored to be a part of this creative arts presentation of My Dear Watson.
Eri Park is a Violinist, a Violin Teacher, and a musical thinker. She studied violin under Matitiahu Braun and Elmar Oliveira while she was at Rollins College and Lynn University. She is also a recent graduate of Queens College with a Master’s Degree in Musicology. With her multinational background, she has been actively performing in the United States, Asia, and Europe, engaging in various activities, festivals, and concerts. Currently, she resides in Queens, New York.
Special Thanks
Signature Sponsor
Holmes Donors
$100 - $500
Bettie Mousseau
Kenneth D Peterson
Ed and Diane Wlodarczyk
Maureen and Gary Mousseau
Kenneth and Patricia Bartschi
Bryan and Christina Gary
A Mutant Called Wanda (Coleen Carlson)
Carlene Rogers
Sondra Jones
Dr. John E Accola, Jr.
Jace
Inspector Kemp
Your Fans in England - W&K
The Hafner Family
The Whitlow Family
Connie Halscott
Joannie Vincent
Steve and Diane Furo
Michael Timmel
Kim Williams
Patricia Lancaster
Beverly Haddad
Pattie Sartor
Liz Curtis
Watson Donors
$50 - $99
Sarah Classon
Amy Troell
Mary E Curtis
Deborah Germann
Costello Educational Foundation
Megan Wolson
K. Ciocco
Rebecca Charuk
Margaret Lamb
Peter Linschoten
Duncan Nichols
Christina Horn
George McGowan
Jennifer Omundson
James Rode
Carol Duberstein
Lestrade Donors
$25 - $49
Terrilea Myers
Marie Straughn
Jordan M Gates
Mary Giraulo
Tiffany Piland
Kenneth Earl Adams
March Parchman
The Cousin Family
James Aloysius Morrison II
Robert Volpe
William Boles
Kelli Knight
Rex and Kelley Black
Mrs. Hudson Donors
$10 - $24
Laurie Bitters
Samantha Boelter
Jaci Diane
Dorothy Perock
Rebecca Solka
Andre Williams
John Timmel
Jen and Cheddy Campbell
Marian Bakunoff
Garrett Jurss
2016 Empty Spaces Theatre Co. Production
My Dear Watson was peformed professionally for the first time March 3-7, 2016 at the Mandell Studio Theater in the Lowndes Shakespeare Center. The show was helmed by John DiDonna, a 24-year veteran of Orlando theater. His company, Empty Spaces, is known for the eclectic perennial favorite Phantasmagoria and many other productions both original and familiar. DiDonna and Empty Spaces are deeply involved in local theater events, including The Red Chair Affair, the Orlando Fringe Festival, and the Orlando Shakespeare Festival Intern Program.
Under development for well over 7 years, this work was developed by Bartschi with the guidance of Broadway veteran and then Rollins professor Kevin Gray (Broadway’s Phantom of the Opera, Jesus Christ Superstar and multiple touring shows). His collaboration was instrumental in both inspiration and in the actual process of writing and creating the work. In the initial reads Gray essayed the role of Watson opposite current Sherlock John DiDonna. Gray passed away on February 11, 2013—these performances are dedicated to him and his inspiration—and most importantly his friendship.
Directed by John DiDonna and Chris Prueitt
Cast
Crew
Chris Prueitt
Chris Markcity
Leanna Pacheco
Lora Sweat
Jecean Mikhael
Ben Akers
Tasha Rentas
Kim L. Marquad
Dion Leonhard
Valencia College
Mark Bartschi
Orlando Shakespeare Theater
The Master's Academy - Morgan Matos
Orchestra
2014 Master's Academy Production
My Dear Watson made its world premiere at the Annie Russell Theater on the campus of Rollins College in Winter Park, Florida. The original run was produced by The Master's Academy, a private school in Oviedo with a renowned performing arts program. Hundreds of local patrons were the first to see this work performed publicly over four shows in three days in May 2014.